Some of the most extreme work was sequestered in a basement vault, accompanied by a label forbidding children under the age of 17 from entering without an adult. How Far Is Too Far? There are, of course, artists who manage to inspire debate without resorting to such extremes. It bothered me that I started becoming a personality cult. These days, Acconci says he regrets much of his earlier work. It aims very high, and the body is just a tool, and once the body is just a tool, you can go very far.
But when are the artists themselves guilty of the exploitation their art is meant to expose? Jeffrey Deitch, whose gallery often shows innovative performance art, initially welcomed the Spanish artist in Sometimes you need to disturb in order to make the space for somebody to think. Since the early s, when Chris Burden had himself publicly shot in the arm and Vito Acconci masturbated under a gallery floor as his audience walked above him, performance, installation, and video art have increasingly pushed the envelope into new, often transgressive territory. That meant that even though she herself was no longer performing physically grueling pieces, they might still be performed by others. But the deliberate staging of death—the ultimate taboo—still remains well beyond the scope of what is considered acceptable as art. John Currin, known for his meticulous painting technique, has used imagery that could be considered both sexist and pornographic—from women with Dolly Parton—esque figures to people engaged in polymorphous sexual activities. But since the s her primary focus has shifted away from testing the body. I am totally against in any way hurting or putting in danger the other person in the situation. Do we have any duties to the public? Seedbedwas one of the last performances I did. Phoebe Hoban is a New York—based journalist who covers culture for a variety of publications. Two of my curators have been very enthusiastic about his work. Are there guidelines that should be observed or enforced, or are ethics, like beauty, in the eye of the beholder? Some of the most extreme work was sequestered in a basement vault, accompanied by a label forbidding children under the age of 17 from entering without an adult. It was unclear whether the artist himself had killed the horse, deer, pig, goat, sheep, and ox. For a couple of years, visitors to the Rubell Family Collection, a private museum in Miami, were greeted by an unusual spin on family values: First she claimed to have repeatedly inseminated herself and induced multiple abortions with herbal remedies; then she denied the entire account, before repeating her original claim and saying that the denials were also part of the performance. How Far Is Too Far? In he sprayed ten Iraqi immigrant workers with toxic foam they were wearing protective gear , and in he turned a German synagogue into a gas chamber by parking six cars outside it and attaching their exhaust pipes to the building. For me, if the piece made any sense, it meant I had to become part of the floor; I was trying to perform the space itself. What about the audience? There is no legal obligation, but we feel that it is our duty to inform people about visual information that may be explicit or challenging. A Quick Killing in Art Penguin, It aims very high, and the body is just a tool, and once the body is just a tool, you can go very far.
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