She says that she, too, knows what men desire, and we see him kissing her chest below the camera. Dracula tells the father that he plans to take one of the daughters' hand in marriage. She then attacks him and nothing else happens. Although the attacks by Dracula and sex scenes are both integral aspects of drama within the film, the sex scenes tend to dominate the length of time rather than other crucial aspects of the film. While Dracula is at the house he attempts to find out if the girls are really virgins by questioning them. Warhol has established society's fixed representation of gender roles, providing that males play the dominant, superior figure, while women are depicted as mere sex objects.
A woman, sensing Dracula's presence outside her house, is writhing pleasurably while lying in bed, and we then see her with one of her breasts and nipple bared while gasping loudly as he's coming closer, but nothing else happens. While Dracula is at the house he attempts to find out if the girls are really virgins by questioning them. The mother finds the chauffeur and shoots him in the head after the chauffeur stabs her. In Warhol's version of Bram Stoker's classic Dracula, Warhol's commitment to the identification of presented images on the screen has established an image to the viewer. The fourth daughter at this time proves to be a vampire after she throws herself onto the stake because she is disturbed by Dracula's death. Dracula attempts to get virgin blood out of the non-virgin daughter, Sophia. Van Helsing refers to Lucy as "a whore of darkness" and "the devil's concubine," with some possibly suggestive movement. As the plot thickens, it is filled with conversations between Dracula and his chauffeur, Dracula and the family, and sex scenes and more sex scenes. Quincey Morris remarks that Lucy is hotter than a June bride riding naked in Sahara. It's so big" and reaches for his crotch, but she then raises the big knife he was carrying on his belt double entendre. She says that she, too, knows what men desire, and we see him kissing her chest below the camera. Warhol's version of Dracula is different from Bram Stoker's Dracula in the sense that the viewer is supposed to feel bad for Dracula rather than his victims. The scenes presenting the sisters engaging in sexual relations allow the viewer to foresee what will occur when bitten by Dracula and also suggests the idea of promiscuity to the viewer. Dracula calls absinthe "the aphrodisiac of the self". This can be seen as edits exhibit poor timing. The peasant caretaker goes after Dracula and chops off his arm's and legs with an ax. Warhol also uses the camera to imply the strength and power of an individual within Dracula. This film is similar to a soft porn film, as two of the four sisters, Sophia and Robinia, are shown engaging in sexual relations with not only the caretaker of the mansion, but with each other as well. Van Helsing calls Dracula's brides "whores of Satan". When Mina finds a picture the one without any explicit details showing a man having sex with a woman from behind her, she wonders if a man and a woman can really do that, and Lucy responds that she did last night. A short time later, we hear her orgasmic wailing from outside the room, before seeing her sprawled on the bed, alone, with her dress disarranged, showing her bare breasts and nipples, repeatedly moaning loudly while being half unconscious. This camera technique also helps clarify to the viewer that Dracula loses his importance, as he is seen for who he really is and also to intensify the drama of the climax at the end of the film. The female body portrayed by the bodies of the two sisters is viewed as the sight of desire, capturing the two sisters, Sophia and Robina, as mere sex objects. The woman's dress is disarranged, showing her breasts and nipples. Music is applied in Dracula to foreshadow dramatic scenes and sexual encounters in order to clarify to the viewer that the de-virginizing of the sisters in order for Dracula to survive is the main drama; and also to intensify that these sexual scenes play an important role in the film.
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